643 |
A colour print after Laura Knight showing a scene with dancers, harlequin, male figures in top hats, etc, 39 x 68cm in substantial gilt frame with moulded acorn and oak leaf decoration |
Nil |
|
30 |
644 |
A pastel study of a coastal landscape by S A B Rose, signed with initials bottom right SABR, dated 08, 31 x 46cm in gilt frame |
Nil |
|
|
645 |
A watercolour mixed media abstract study in tones of turquoise, green, red and blue by Shirley Trevena, signed bottom right S Trevena, 40 x 56cm in gilt frame |
Nil |
|
|
646 |
An oil painting on canvas, still life with a vase of flowers including tulips, lilies, etc, signed bottom right Elened? De Winton, dated 1952, 61 x 50cm in gilt frame |
Nil |
|
|
647 |
An oil painting on canvas of a floral still life including chrysanthemums, dahlias, etc, signed bottom right with initial E, 60 x 75cm in gilt frame, together with an oleograph of children and fruit seller after H Hirst |
Nil |
|
|
648 |
A 19th century oil painting on canvas of a religious scene in the 17th century manner with St Michael holding a sword and repelling Satan, signed but with remains of old Frost & Reed label verso dated 96, 63 x 52cm in substantial swept and moulded gilt frame with gilt slip |
Nil |
|
290 |
649 |
An oil painting on canvas, a floral still life in 17th century Dutch style, signed bottom right E Vanderman, 50 x 60cm in swept frame with gilt and cream finish |
Nil |
|
|
650 |
A set of four reproduction coloured caricature prints from the 18th century Teggs Caricature Series including Medical Despatch, The Anatomist, Bath Races and A Going, A Going, 26 x 36cm approx in coloured mounts and wooden and gilt frames together with an accompanying pamphlet, Thomas Rowlandson His Medical Satire |
Nil |
|
40 |
651 |
A signed black and white etching of Oyster Catchers by P M Bromhead, inscribed in pencil Oyster Catchers and signed bottom right, 15 x 21cm in black frame |
Nil |
|
30 |
652 |
A 19th century black and white etching of an elderly woman reading her bible and seated in a cottage interior, by H Macbeth Raeburn after a painting by Norman Macbeth, titled Fourscore Years (picture exhibited at The Royal Academy 1885) and with further details relating to the picture verso, 21 x 17 in inscribed mount and black frame |
Nil |
|
|
653 |
A 20th century black and white etching of an east coast landscape with fishing boat, water reeds, etc, by Charles Henry Baskett, signed bottom right C H Baskett del et Imp and also inscribed An Essex Marsh, 35 x 53cm in gilt frame |
Nil |
|
45 |
654 |
A limited edition black and white etching of a Welsh village scene by David Smith?, signed bottom left and dated 1962, number 3 out of 24 and further inscribed Blensen Festinog, 39 x 54cm in wooden frame together with a box type frame containing a miniature model boat and a display of knots |
Nil |
|
30 |
655 |
An interesting collection of black and white etchings including a portrait, half length, of a gentleman, signed in pencil bottom right Francis Dodd, a view of a river scene, probably on the Thames near Windsor, with sailing boats, bathers, etc by Francis Seymour-Haden, signed in pencil bottom right Seymour-Haden, numbered D103, sheet size 51 x 69 cm, a study of a windmill, signed F Shephard and a group of three etchings of landscape subjects (framed as one), indistinctly signed |
Nil |
|
26 |
656 |
A sepia coloured etching of a faun after Karl Meyer Eberhardt, signed bottom right, sheet size 53 x 43cm in wooden frame |
Nil |
|
42 |
657 |
A black and white etching of a river scene on the Avon?, by H Banks, signed bottom right in pencil H Banks and inscribed The Horseshoe Bend High Tide, 23 x 32cm in wooden frame |
Nil |
|
18 |
658 |
A set of three early 20th century watercolours of country landscapes with examples of farm buildings, etc, all signed L H Turland, 22 x 27cm |
Nil |
|
26 |
659 |
A pair of late 19th century photographic prints of American scenes, one showing an extensive landscape at harvest time with a lengthy procession of teams of horses and agricultural equipment, large grain stack, etc the other showing a view at Niagara Falls with pleasure boats, etc, both measuring 24 x 121 cm in oak frames with gilt slips |
Nil |
|
28 |
660 |
A pair of 20th century black and white etchings by J Milne, one showing a country road with horse, cart and figure, signed J Milne and inscribed Ed Stocket? Road, the other showing a landscape with cattle grazing, inscribed in pencil High Wycombe, Bucks, 24 x 27cm together with a black and white etching of John Knox's house, Edinburgh, after S Robson, etc |
Nil |
|
16 |
661 |
A coloured etching by William Tatton Winter showing a river scene with cattle watering, signed in pencil bottom right Tatton Winter, published 1927 by the Museum Galleries, 27 x 32cm in gilt frame |
Nil |
|
22 |
662 |
An early 20th century coloured mezzotint engraving in the 18th century manner showing a lady standing in a woodland landscape, signed bottom right in pencil Fred Miller, published by Virtue & Co, 1905 in black and gilt glass mount and gilt beaded frame, 57 x 42cm overall together with a further similar print of a lady, half length, a black and white print after Francious-Robert-Ingouf and a 19th century fashion plate from The English Womans Domestic Magazine |
Nil |
|
38 |
663 |
A substantial early 20th century coloured mezzotint engraving after Sir Henry Rabeurn showing Mrs H W Lauzun seated half length, published 1902 by R Powell, 121 x 95cm overall in substantial gilt frame and gilt slip |
Nil |
|
|
664 |
An 18th century mezzotint engraving after Sir Joshua Reynolds showing Viscountess Townshend standing full length in a classical style landscape, inscribed Engraved by V Green and dated 1780, 80 x 56cm overall in black and gilt glass mount and gilt and beaded frame together with an early 20th century coloured mezzotint engraving of a similar subject incorporating an elegant lady standing in a landscape, signed bottom right Arthur B Brook, 27 x 57cm in beaded gilt frame |
Nil |
|
|
665 |
A collection of pictures and prints including a coloured print of fish with anatomical inscriptions, a pair of needlework pictures of flamingos and cranes, a coloured print of a cleric in an interior scene, etc |
Nil |
|
35 |
666 |
An early 20th century oil painting on canvas of a river scene with water mill, signed bottom right F? King, 50 x 75cm in gilt frame |
Nil |
|
50 |
667 |
A pair of large oil paintings on board in abstract style showing half length studies of figures in armour, both signed bottom left Harold Wood and dated 64, 120 x 90cm in white frames |
Nil |
|
270 |
668 |
A set of six coloured prints after Cecil Aldin showing scenes from The Pickwick Papers together with a set of four coloured prints of foals (framed in two frames), an oval Art Deco style mirror, a block mounted map of Russia, four volumes of Hutchisons History of the Nations, etc |
Nil |
|
26 |
669 |
A collection of six mounted pastel studies, subjects including coastal scenes, still lives, etc, mostly by S A B Rose and of varying size |
Nil |
|
|
670 |
An oil painting on canvas of a mountainous scene with river, caravan, horse, figures around a camp fire, etc, signed bottom right Bernard Ninnes, 62 x 72cm in blue and gilt frame |
Nil |
|
160 |
670A |
A set of four early 19th century coloured etchings after Rowlandson - Dr Syntax preaching, entertained at college etc, published by R Ackermann 1819, in oak frames |
Nil |
|
22 |
671 |
An oriental study of sparrows amongst snowy branches together with a pair of 19th century black and white engravings of Regent Street and Regents Park, a 19th century map of Devonshire engraved the Lewis' Topographical Dictionary, etc |
Nil |
|
28 |
